Ancient Indian Religious Architecture Beyond the Sectarian BoundariesThe present Volume is the latest endeavour to freshly enquire into the relevance and validity of commonly held categorizations of ancient Indian religious architecture as Hindu, Buddhist, and Jain, often noticed in the extant standard writings on this genre of the art studies. It has been observed that while this may somehow appear true and may also have some sort of relevance primarily from the standpoint of its creators and users, who used to

taking refuge in a conch shell in the depths of the ocean

A symbol of love heart also reflects caring touch of the woman

He is so popular that Lord Vinayak is known by as many as 108 names

The Lord is invoked first before initiating any religious ritual and is the Remover of Obstacle

Both the God and Goddess are wearing spectacular ornaments and they are in a spirited mood

pose and grandeur – all makes the painting a must buy for the art lovers

The Lord is so popular among the Hindus that he is known by as many as 108 names

But as Ganesha didn't know Shiva

The third tale is about Paundraka Vaasudeva

Goddess Saraswati is the wife of Lord Brahma (the creator)and possesses the powers of speech

Product Code :4993

The exposition is very lucid and an impressive effort is made to support all statements with original quotations drawn from Hindu