Di sguincio, 1969–81Di sguincio 196981, presents work Guido Guidi made between the ages of 28 and 40. The title means aslant or from the corner of the eye, which speaks to the work on multiple accounts. For one, the book is very much a slantwise curation of Guidos vision. This is work made during a long exploratory period before Guidi landed on the formal style he is known for: evenly composed color shots on large format film. Di sguincio is entirely black and white

a burning house

Janette Beckman

The shots also appear to capture moments “from the corner of the eye” — casual

black-and-white prints

Living Room (Aperture

acclaimed American photographer Todd Hido casts a distinctly cinematic eye across all that he photographs

in pursuit of publishing a cookbook

but also no way i could hide my changing body over the following months and years

In doing so

Tim Carpenter’s Little completes a trilogy of photobooks rooted in the sensibility and approach to the practice of “camera” he elaborated in the book-length essay To Photograph Is To Learn How To Die (2022)

Gilden’s camera points toward the darker sides of Japanese life—the gangsters

Earlier images of storefronts and domestic interiors contrast poignantly with those of their demolition from the late 1970s onwards