One Brief MomentBy the age of four Dave Heath had been abandoned by both of his parents. By the age of fifteen he had lived in a series of foster homes and, finally, in an orphanage. In 1947, Heath saw Ralph Cranes photo essay Bad Boys Life in LIFE Magazine. Struck by the success of how succinctly these pictures connected to a deeply felt shared experience, Heath knew he wanted to become a photographer. Using the orphanages darkroom, he began to master the mechanics

the sudden sun

Mimi Plumb’s Landfall encapsulates the anxieties of a world spinning out of balance

David Seymour and Farm Security Administration photographers like Walker Evans and Dorothea Lange

This richly illustrated catalog reproduces key works from Jafa's wide-ranging oeuvre and explores the philosophical

in particular its laws regarding fireworks and guns

At the 2019 Venice Biennale

Early Work offers an authoritative account of the innate sensibility with which Shore approached not only his craft but the world around him

and Kosovan uprising

This new edition (Jesus Blue

It lived within (and shared contributors with) a robust network of underground and queer periodicals like The New York Review of Sex

sculptural elements

Throughout the late 1970s and early '80s