Upstreams Deadfallsthis is not about faith. this is about the leap. this is about photography as much as its about a piece of driftwood being the same shape as a wing. about shadow animals and birds that blind. about indifferent light. this is about streaming upward. about bending down and holding on to the dirt. about interconnection. about hoof drawn earth. this is about the eyes at the end of the road. about the still. about the moths in the locked house, the life

The beach beneath me was full of activity with horses and carts backed into the sea

observing the details that were not meant for her

had found difficult to look at

” - Pia-Paulina Guilmoth

James Welling

Byrne reassembles his photos of the urban landscape into striking

and stores

and animals in the book did exist before Halpern’s camera

as if greeting us with equal parts charm and curiosity

This might be the most surprising element yet

He returned to London in the 1990s

established in the 1950s and ’60s by modern masters Seydou Keïta and Malick Sidibé