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Bonds/ Burnett/ Burton - Credo Simon Bore the CroSS

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Bonds/ Burnett/ Burton - Credo Simon Bore the CroSSNew York City based The Dessoff Choirs, instrumental in re establishing the music of 20th century African American composer Margaret Bonds with the world premiere recording of her Christmas oratorio, The Ballad of the Brown King, present two more Bonds premieres: new orchestrations of her cantata, Simon Bore the Cross, created with long time collaborator and friend Langston Hughes, and the large scale Credo set to prose by W. E. B. Du Bois. Akin to

stripping each back to the essence of it's creation

There are two types of Turkish Sufi music: the music employed at the mosque and at the tekke

who played with a string of well-known bands during the 1920s and '30s

Markéta Cukrová and Adam Plachetka

In 1999 Sasha Waltz started working on her three-piece choreographic cycle about the human body

Thai music consists of two distinct features: the folk songs and dances which belong to the village traditions

Daddy's A Psycho 12

' Last Scream proudly re-hoists the DK flag in all but name

Cage/ Reich/ Varese/ Pintscher - New York

lifted gluteus

specialising in a smooth jazz-flavoured style of music similar to the approach pioneered by Nat King Cole's King Cole Trio during the early and mid-1940s

and there must be a spark of love for LaVern Baker closes the album with an ode of love

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