Yard Act - The OverloadIn a world of great polarity, nuance is normally the answer. We may shame and bicker and amplify our outrage, but at the core of it all, were all still inhabitants of the same ecosystem, most of us trying to tow the delicate line between empathy and self preservation. If nothing and no one is purely good nor evil, true societal improvement can only come from recognizing some kind of middle ground. In many ways, Yard Act is a project that exists

“North American folk linage from Jean Ritchie and Hedy West through to the present

with a thousand-yard dead pan stare surgically pinned to a high octane set of boredom-energized punk pistons

the band stayed active between the late 1960s and late 1990s (until Florian’s passing in 2001)

He got great touches from Chris Woodhouse (piano

● Exclusive label sticker

åÊ Released for the first time on any format

tear-drenched message

garnered plaudits from BBC 6Music including an "Album of the Day" slot and playlists for “End Times”  “Growth of Raindrops”

The album also features contributions from Mary Lattimore

but Lelo kept his copy in his studio’s archives

Recorded in six studios between 1978 and 1982

their sound growing more direct in the process and their observations expanding beyond life at home