Time’s Assignation, The PolaroidsThe Polaroid, now anachronistic, is here conjoined with Laura Letinskys still lifes subject: the remains of appetites never entirely sated.

dolls and found objects as unsettling props and mined architectural detail for abstract compositional elements

surreal still-lives

Las Mexicanas highlights the intimate and powerful relationship between the photographic medium

’” Reilly says

you still have to pay attention to the way the prowler’s footprints hover in the snow around the window

There and Gone

the uncertainty

The images exist somewhere between reality and fantasy

a city built for cars seen by a cinematographer who preferred to walk

The first photographs in the book are from the 1970s

“Puntas abiertas translates to split ends

and fantasies associated with the country and what it has represented in the imaginations of those countless travellers who have visited it over the course of centuries